Tagged: composing

A Triptych of Tantalising Tuck

Regular co-conspirators Theatre of Widdershins’ The Magic Porridge Pot & Other Tasty Tales is hitting the road this coming weekend at The Quay Theatre in Sudbury. As usual I supplied music and sound effects for this trio of food-related fairytales. You can find information about further dates at their website. For those who are interested, we’re currently making plans to record an audiobook of the show as soon as possible and I’ll put some of the music from the show up on this website in the near future for your delectation!

In addition to the above I’ve also been working as an assistant composer on a couple of TV series; the third season of Ripper Street, which was saved from cancellation by popular demand earlier this year and The Missing, a mini series starring James Nesbitt, Frances O’Connor, Tcheky Karyo and Jason Flemyng.

Williamsangst

Williamsangst (Williams + angst) is the terrible feeling that John Williams is suddenly standing behind you as you write, peering over your shoulder snickering and clicking his tongue in disapproval. This is a very real anxiety for many composers. Even John Williams is said to experience this phenomenon from time to time.

Charles Bernstein (Film Music And Everything Else!, 2000)

A Train, A Tale & A Tease

A happy new year to you all! As we begin this exciting new year here’s a quick roundup of my current projects:

  • Train Station is a feature film by CollabFeature, a single story made up of continuous segments by 42 directors across 22 countries. Guillem Serrano, whom I met whilst working on Red Kingdom Rising, was directing and editing one of these segments and asked if I would be interested in scoring it; an offer to which I eagerly agreed. Guillem’s “director’s cut” was completed last November and working on the film was a hugely enjoyable experience; but we’re not quite finished yet! The feature film has yet to be assembled from the various segments so it’s entirely possible more changes may be required. A fuller description of this unique project, along with some of the music, will be posted once it’s finalised.
  • Rumpelstiltskin is being revived by Theatre of Widdershins and is due to start touring at the end of January. The music for this popular fairytale has been reworked from the previous production and a little bit of new music has been added for those of you with particularly attentive ears! Andy Lawrence and I will be recording narration soon with a view to an audiobook release before Easter.
  • The final project is one I can’t say too much about; it’s the new project from the director of Red Kingdom Rising, Navin Dev. I’m currently working on establishing some thematic ideas to help with the pitching of the project to talent and investors. This is the most exciting and intimidating moment during the creation of a score; you know that potentially the best work you’ve done is hiding in the blank piece of paper in front of you but you have no idea what it sounds like!

In addition to the above, I continue to assist Dominik Scherrer after a brief break between commissions. Following his work on Ripper Street (currently screening on BBC1 and imminently on BBC America) he is now hard at work on a new season of Marple, including the exotic-sounding A Caribbean Mystery!