Summer Tidings

Although it’s taken some time to schedule due to work demands, the audiobook of Theatre of Widdershins’ The Magic Porridge Pot & Other Tasty Tales is now finished! You can listen to a snippet and buy it here.

Earlier this year I composed for the music for a very funny short film called The Last Post starring Ryan Sampson and Mark Heap. The film has been submitted for festivals and has been getting a very positive response, including award nominations from Madrid International Film Festival and Austin Comedy Short Film Festival. Adam Preston, the writer and director, has been keeping a blog on the making of the film (amongst other things) which you can find here. You can listen to some of the music here.

In addition I recently finished assisting Dominik Scherrer on a BBC TV adapation of JB Priestley’s famous stage play An Inspector Calls starring David Thewlis, Miranda Richardson and Ken Stott. Also, congratulations to Dom on his Emmy nomination for his music for The Missing.

It’s been great to see Red Kingdom Rising mentioned by MJ Simpson in his annual round-up of 2014’s notable British horror films and by Jonathan Rigby in English Gothic, a new edition of his landmark book tracing the rise and fall (and rise again) of English horror cinema from its beginnings in the 1890s right through to the present day.

On a sadder note, James Horner died recently aged 61. His music was the soundtrack to a number of my favourite films when I was growing up and continued to be an influence in my own career. I first heard his score for Star Trek II: The Wrath of Khan at the tender age of 10 and not long after noticed the very same name attached to films like Battle Beyond the Stars, Aliens & Cocoon. It would be hard to name all the scores of his that I enjoyed, especially given a career as prolific as his, but titles such as The Rocketeer, Glory, Sneakers, Apollo 13, Bicentennial Man, The New World & Apocalypto all come to mind. I was lucky enough to see him in conversation at the Royal Albert Hall in what was to be his last public engagement. He talked with great enthusiasm about working with Mel Gibson on his forthcoming project and it’s a great shame that we will never hear his finished score. RIP Maestro.

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